What do you mean you don’t know who Tuesday Knight is?
Tuesday knight was Patricia Arquette’s replacement for the character Kristen Parker in A Nightmare on Elm Street 4: The Dream Master.

she only survived for the first 20 minutes or so of the movie… her biggest contribution was to the movie’s soundtrack. She recorded the opening credits theme ‘Nightmare’ which i thought was unreleased.. until i found this lone cassette.
i made a copy of the song for your listening pleasure.

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Taintsticks Myspace

From this auspicious beginning, MoZella has grown into a full-fledged singer-songwriter releasing her debut album I Will, which ..s the 24-year-old’s journey from leaving home at 18 and arriving in Los Angeles to pursue her dream of making it as a recording artist and performer. “I didn’t go to a four-year university,” she says, “so struggling to get my music heard was like my schooling. I learned a lot and wrote these songs about the experience.”

MoZella, whose confident, soulful voice can turn from seductively husky to girlishly vulnerable on a dime, sets her coming-of-age tales about love won (“Love is Something”), love lost (“You Wanted It”) the state of the world (“Killing Time”), loneliness (“Last Twenty”), and forgiveness (“Light Years Away”) to plaintive acoustic guitar and hip-hop influenced programmed beats — a style that one critic described as “balancing coffeehouse intimacy and subtle groove with jazz and electronica.”

MoZella says the R&B-soul inflections in her voice come from a childhood steeped in the music of her hometown. Her mother sang in a choir, tuned in the local Motown gospel stations on the radio, and favored Detroit spiritual singers Aretha Franklin, Smokey Robinson, Stevie Wonder and Bob Seger. “Growing up in Detroit, the style of music — black soul combined with blue collar white rock — molds you as a singer in a lot of ways,” she says. “There is so much beat and bass-driven music. And I think the gospel thing itself has always been in me; there’s no way around it.”

Armed with nothing but her guitar, MoZella set out for the West Coast after graduating from high school. She worked as a waitress and cake decorator at a bakery by day and wrote songs and performed in coffeehouses at night. After several false starts, including a brief apprenticeship with rapper Warren G and a stint in London recording a demo with producer Tim Saul (Portishead), MoZella returned to L.A. and recorded a new demo. It found its way to Maverick’s A&R executives, who signed her in 2004.

MoZella began work on I Will with producer/songwriter Jude Cole (who has worked with Rocco DeLuca, Beth Orton, Lifehouse) manning the control board. “Jude is an amazing writer himself, so he understands how to work with a song,” MoZella says. “He knew instinctively how to bring out the urban feel of my music, without going over the top.”

MoZella has been busy jumping on high-profile tours with Lifehouse, Dave Matthews Band, Five For Fighting and Daniel Powter. Her songs have appeared on Vol. 2 of the soundtrack to the hit WB show One Tree Hill, and used in episodes of the NBC drama Las Vegas, the hit ABC series What About Brian, FOX’s Bones and top rated ABC Family show Wildfire. In addition, a ballad she wrote named “Amazed” was featured in a Mercedes-Benz commercial for the company’s high-profile “Framed Portraits” campaign last year.

With I Will, which was released November 7, and her first single “Amnesia” hitting radio airwaves in June ‘07, MoZella is a long way from her cake-decorating days. “I remember working there one day and hearing Macy Gray’s ‘I Try’ come over the speakers. And I was like, ‘Holy cow, this is a great song. I want to make great songs like this. I want to get somewhere with my music.’” If the title of MoZella’s debut album is any indication, she will.

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